I believe that music, at its core, must resonate on a human level. Whether it’s a delicate piano motif or a complex, glitching soundscape, my work is driven by a desire to create music that will generate an emotion, spark a thought, trigger a memory or imprint a new experience.

For scoring projects, my aim is to support the story and act as another form of dialogue with the viewer. My foundation is in classical theory and harmony from the University of Surrey. There are blends of the tactile, warmth of acoustic instruments—piano, strings, and woodwinds—with the textures of compelling, modern synthesis and sound design. This hybrid approach allows me to create scores that feel both timeless and contemporary.

As a multi-instrumentalist and producer, I am obsessed with the details. From the initial composition, through mixing and to the final master, I treat every project—be it a short film, EP, or an experimental noise installation—as a piece of art in its own right; details are thought through and considered.

I am most at home when working with directors and artists who aren't afraid to explore the “grey areas” of sound.